The first part of this review of the new movie Thor: The Dark World is unusual and short simply because there are so many surprises and I don’t want to give anything away. (I saved the spoilers for the end, so if you want to be surprised, don’t read below the spoiler alert!) I saw the movie at an IMAX 3D theatre.
Simply, if you liked the first Thor movie and The Avengers, as I did, you will like the second Thor movie. It is not outstandingly different; it has most of the same characters doing much of the same things. This is NOT the Stan Lee and Jack Kirby version of Thor, this is the Walt Simonson’s Thor, right down to the “super-villain”, Malekith.
What holds the movie together is not the plot: the alignment of the universe that occurs every 5,000 years (called the Convergence) causes havoc on the various aligned worlds. Because of this convergence, of all people, Jane Foster, contracts the “Aether”, which is basically a magic substance that gives her great powers but will eventually kill her. Bad guy Malekith wants the Aether and the power that goes with it, and therefore wants Jane.
The best part of the movie is the cast. In order to save Jane and the universe, Thor must team up with Loki to go into the realm of Makekith. This is the highlight of the movie. Chris Hemsworth (Thor) teams with Tom Hiddleston (Loki) and their performances are just wonderful. We are supposed to hate Loki, yet here, again, Hiddleston makes the character multi-layered and compelling to watch. We may “boo” and “hiss” at Loki, but we also, at various parts, feel real sympathy for him.
We see less of the Warriors Three, Sif and Odin in this movie and more of Thor’s mom played by Rene Russo. We also see Frigga’s complex relationship with Loki. I know from reading the comics that Thor will wind up with Sif, not Jane Foster, and that rivalry is shown but not developed because of a real life occurrence. The beautiful Jaimie Alexander injured her back on the set and was out, recovering, for a month, which, I suspect, cut down on her screen time.
The movie was beautiful to watch but the 3D was a total distraction. Watch it in a regular theatre. And stay until the very end of the credits, there are two extras that are buried in them, one at the very end. By the way, there is a lot of “Dark” out there: Thor: The Dark World, Star Trek (Into the Dark), Spider-Man (Turn Off the Dark) and Batman (The Dark Knight). We need flashlights!
SUPER-SPOILERS
It does bother me that death is not fatal in comics these days and now in the movies. In a great, heroic, scene we see Loki die. This was sad for two reasons: he was shown being heroic and the fact that Hiddleston was so important to these movies. But we later learn that this is not the case when he impersonates Odin. But where is Odin? Frigga, Thor’s mother dies, but why is her death seemingly permanent? The Collector, introduced in Avengers #28 (1966) is featured during the closing credits presenting another mystery. He really has no role in this movie. But like Thanos in the Avengers movie, Marvel feels that they need to open up story arcs rather than close them at the end of these movies.
I am noticing that closing interdimensional portals seems to be a MacGuffin in a lot of the recent superhero movies (Thor and Captain America and Avengers), or dismantling high-gravity machines (Spider-Man 2), and various other permutations thereof. Loki’s feigned heroism and impersonation of Odin are in keeping with his character so that doesn’t bother me as much as some other superhero non-deaths, which I do generally dislike. I am curious whether the Collector storyline will overlap with Guardians of the Galaxy.